Weird Nightmare

About this event

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On Friday, May 1st, Weird Nightmare will release Hoopla, the engaging and melodic second LP from former METZ frontman Alex Edkins.Every band worth its salt has a member who worked in a record store. In METZ, the fearless noise rock trio who released five full-length albums on Sub Pop between 2012 and 2024, it was singer and guitarist Alex Edkins. Slinging indie rock and hardcore records in his hometown record store while attending university, Edkins became an ardent student of rock 'n' roll; from the psychedelic 1960s to the DIY 1990s and beyond. The new Weird Nightmare album, Hoopla, mixes and matches these wide-ranging influences in fun, exhilarating combinations, showcasing his sophisticated musical mind. Bursting to life with hooks and earworms. Co-produced by Edkins and Spoon's Jim Eno at Seth Manchester's Machines With Magnets in Providence, RI. Edkins expands Weird Nightmare's dimensions to new heights, gilding the direct emotions of his straightforward songwriting with musical textures such as piano, bells, and castanets, giving these well-wrought tunes a shiny luster. Following the previously released single "Forever Elsewhere," which Stereogum called "... an undeniably infectious power-pop anthem", Weird Nightmare has shared an official video for their new song, "Might See You There," which was directed by CC Mulligan. Edkins shares about the track: "'Might See You There' is about going back to visit my hometown and being flooded with teenage nostalgia. Small-town boredom and isolation almost feel like a gift in today's highly connected world. I feel fortunate for that time spent idly, down in the basement, learning the entire Rancid 'Let's Go' album on guitar with my friends. I find it easy to romanticise that time in my life, even though I was, without question, a disgruntled kid who badly wanted to escape my surroundings and see the world. "I was listening to a lot of the Irish bands The Undertones and Protex while writing this one, and I think there is a fair bit of their influence. Just the simplicity and big bar chords mostly. Seth Manchester and I were very into the idea of adding piano and bells to the outro, akin to the Phil Spector-produced 'End of the Century' album by The Ramones. The great Julianna Riolino sings with me on the choruses, too!"